Adult Illiteracy Rates (15 Years Over) in the Middle East

Some 774 million adults worldwide (age 15 and over) cant read, according to the Global Campaign for Education. Heres how the Middle East countries illiteracy rates rank. Middle East Illiteracy Rates Rank Country Illiteracy rate (%) 1 Afghanistan 72 2 Pakistan 50 3 Mauritania 49 4 Morocco 48 5 Yemen 46 6 Sudan 39 7 Djibouti 32 8 Algeria 30 9 Iraq 26 10 Tunisia 25.7 11 Egypt 28 12 Comoros 25 13 Syria 19 14 Oman 18 15 Iran 17.6 16 Saudi Arabia 17.1 17 Libya 16 18 Bahrain 13 19 Turkey 12.6 20 Lebanon 12 21 U.A.E. 11.3 22 Qatar 11 23 Jordan 9 24 Palestine 8 25 Kuwait 7 26 Cyprus 3.2 27 Israel 3 28 Azerbaijan 1.2 29 Armenia 1 Sources: United Nations, 2009 World Almanac, The Economist

Essay on The Fight Against Communism - 1045 Words

The Fight against Communism Why are people against Communist? J. Edgar Hoover, Sidney Hook, and William O. Douglas have written articles about their opinion relating to Communist expanding throughout our Nation. Communism is a social organization based on the ownership controlled all economic and social activities. J. Edgar Hoover, Sidney Hook, and William O. Douglas have numerous points of view on Communism. Their voices and minds reveals that Communist is not who they say they are. J. Edgar Hoover believed the spread of Communism is a tremendous threat to our nation. Day by day, the number of people enroll in the party’s membership are significant. But Hoover believes the size of the party is irrelevant. Communism spreads†¦show more content†¦Ã¢â‚¬Å"The Communist threat inside the country has been magnified and exalted far beyond its realities†(273). Accusations have been made, irresponsible citizens are spreading fears. Multiples of suspicions had been made. Innocents are being consid ered as disloyalty. â€Å"Suspicion grows until only the person who loudly proclaims the orthodox view, or who, once having been a Communist, has been converted, is trustworthy† (273). Suspects are those who are unorthodox, who does not followed military policymakers. The fear has driven citizens to the folds of the orthodox. The fear was to be investigated, to lose one’s job, etc. These fears have driven many people to sorrow. These fears have effected younger generations. â€Å"This pattern of orthodoxy that is shaping our thinking has dangerous implications† (274). Douglas believes the great danger if we become victims of the orthodox school. They can limit our ability to change or alter. Douglas believes a man’s mind must be free. These three remarkable men had left their voices for us to hear. These voices are ideas to obtain our normal ways of an American’s life. Hoover’s idea was to expose what communist was really about. 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Alfred Stieglitz and Photography Essay Example For Students

Alfred Stieglitz and Photography Essay Alfred Stieglitz was an influential photographer who spent his life fighting for the recognition of photography as a valid art form. He was a pioneering photographer, editor and gallery owner who played pivotal role in defining and shaping modernism in the United States. (Lowe 23). He took pictures in a time when photography was considered as only a scientific curiosity and not an art. As the controversy over the art value of photography became widespread, Stieglitz began to fight for the recognition of his chosen medium. This battle would last his whole life. Edward Stieglitz, father of Alfred, was born in Germany in 1833. He grew up on a farm, loved nature, and was an artist at heart. Legend has it that, independent and strong willed, Edward Stieglitz ran away from home at the age of sixteen because his mother insisted on upon starching his shirt after he had begged her not to (Lowe 23). Edward would later meet Hedwig Warner and they would have their first son, Alfred. Alfred was t he first of six born to his dad Edward and mom Hedwig. As a child Alfred was remembered as a boy with thick black hair, large dark eyes, pale fine skin, a delicately modeled mouth with a strong chin (Peterson 34). In 1871 the Stieglitz family lived at 14 East 60th street in Manhattan. No buildings stood between Central Park and the Stieglitz family home. As Stieglitz got older he started to show interest in photography, posting every photo he could find on his bedroom wall. It wasnt until he got older that his photography curiosity begin to take charge of his life. Stieglitz formally started photography at the age of nineteen, during his first years at the Berlin Polytechnic School. At this time photography was in its infancy as an art form. Alfred learned the fine arts of photography by watching a local photographer in Berlin working in the stores dark room. After making a few pictures of his room and himself, he enrolled in a photochemistry course. This is where his photography career would begin. His earliest public recognition came from England and Germany. It began in 1887 when Stieglitz won the first of his many first prizes in a competition. The judge who gave him the award was Dr. P.H. Emerson, then the most widely known English advocate of photography as an art (Doty 23). Dr. Emerson later wrote to Stieglitz about his work sent in to the competition: It is perhaps late for me to express my admiration of the work you sent into the holiday competition. It was the spontaneous work in the exhibition and I was delighted with much of it, (Br y 11). The first photographer organization Alfred joined while still in Berlin, was the German Society of the Friends of Photography. After returning to the United States 1890, Stieglitz joined the Society of Amateur Photographers of New York. These experiences would later help him in years to come. By 1902 Stieglitz had become the authority in his chosen field. Stieglitz found that his achievements were not enough to win recognition for photography. Finally in 1902 he founded an entirely new photography group of his own, the Photo Secession. The focus of the Photo Secession was the advancement of pictorial photography. Stieglitz being the leader gathered a talented group of American photographers headed toward the same common goal, to demonstrate photography as an art form( Lowe 54). This was the first of many Photo Secession shows through which Stieglitz set out and demonstrated photography as an art. Their first Photo Secession exhibition was held at the National Arts Club in New York. Photo Secession shows were supported by galleries all over the world as well as Stieglitzs own gallery. All these events were reported in Stieglitzs weekly magazine Camera Work, which Stieglitz founded, edited, and published in fifty volumes from its beginning in 1903 until its end in 1917. Alt hough the Photo Secession group never dissolved, it gradually diminished as an organized group. Stieglitz continued to show new photographic work when he believed it was important. It was all part of his fight for photography, but the battleground and the

the best Essays - Wierix Family, Hieronymus Wierix, Printmaking

On Saturday November 7, 2009 I had a chance to experience a remarkable exhibit. The museum is called the Michael C Carlos museum. It is located in my hometown of Atlanta Georgia. It is also a part of the Emory Campus. Most of the staff in the museum were students at Emory. The museum had two exhibits you can see. They were Scripture For The Eyes and The Works on Paper Collection. I enjoyed Scripture for the Eyes the most because I have biblical knowledge of the stories being betrayed. Scripture for the Eyes depicted biblical stories. Out of all of them one piece stood out to me the most the exhibition, featuring works by Lucas van Leyden, Maarten van Heemskerck, Dirck Volkertszoon Coornhert, and Hieronymus Wierix and many more. The Exhibit explored the ways in which printed illustrations of the Bible and other religious themes. Most of the pieces were engravings and woodcuts. "These engravings were all created by the Dutch and Flemish people," as stated by the tour guide. Three pieces.